2020/21 Black Box Season
by Samuel Beckett
January 22-31, 2021
A pinnacle of Beckett’s characteristic raw minimalism, Endgame is a pure and devastating distillation of the human essence in the face of approaching death. Endgame, originally written in French and translated into English by Beckett himself, is considered by many critics to be his greatest single work. Samuel Beckett was awarded the Nobel Prize for Literature in 1969; his literary output of plays, novels, stories and poetry has earned him an uncontested place as one of the greatest writers of our time.
“Endgame has outraged
by Lynn Nottage
March 12-21, 2021
2017 Pulitzer Prize Winner
This poignant play takes a look at the de-industrial revolution through the lens of a history play, but also delves into the issues of today: the economy, immigration, race-relations in America, and politics. Lynn Nottage’s Sweat gives us characters filled with the good and the bad and asks us to reflect on our own views and the views of others. Nottage never tells us who’s right or who’s wrong, but always shows us who’s human.
Keenly observed and often surprisingly funny—but ultimately heartbreaking—the work traces the roots of a tragedy with both forensic psychological detail and embracing compassion. Ms. Nottage…is writing at the peak of her powers…” —NY Times.
passionate and necessary…a masterful depiction of the forces that divide and conquer us…SWEAT communicates its points with minimal fuss and maximum grit. Along with the rage, despair and violence, there’s humor and abundant humanity…a cautionary tale of what happens when you don’t know how to resist.” —Time Out NY.
MR. BURNS, A POST ELECTRIC PLAY
by Anne Washburn
May 14-23, 2021
After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of “The Simpsons” episode “Cape Feare” entirely from memory. 7 years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post-apocalyptic society, sincerely trying to hold onto its past. 75 years later, these are the myths and legends from which new forms of performance are created. A paean to live theater, and the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another.
“When was the last time you met a new play that was so smart it made your head spin? Not in years, huh? Well, get ready to reel, New York. Anne Washburn’s downright brilliant “Mr. Burns, a Post-Electric Play” has arrived to leave you dizzy with the scope and dazzle of its ideas.” NY TIMES
“it offers the hopeful (and quite touching) promise that theater will survive us all.” Variety